He actually did a really interesting interview with HipHopDX that you should check out. He is a dope rapper, he just makes the type of music that is hard to monetize. What was the source of your frustration?Nipsey is kind of in a precarious situation career wise. Then you went on a Twitter rant about Complex and said we had to put up $10,000 for an interview. Nipsey Hussle Mixtape Slauson Boy 2 DOWNLOAD New Nipsey Hussle Mixtape Slauson Boy 2 New project from Nipsey Hussle 'Slauson Boy 2.' The project is a compilation of records hes released throughout his 'Marathon Mondays' series as well as a brand new record Everyone wish Nipsey a Nipsey Hussle hottest mixtapes, albums and music, Mailbox Money, Slauson Boy 2, Crenshaw, The G Mixtape, AnnieRUOTAY 4, Famous Lies And Unpopular Truths.So, I reached out to you for an interview once Crenshaw dropped and you denied us.It was kind of a degrading article.Nipsey Hussle has done it again. I never really took a personal offense to 25…I forgot the title you used. Home mixtapes Newest Hot Week Celebrated upcoming.First off, I never took anything personal.
Nipsey Hussle Mixtape Download His AlbumMixtape DJ Noize - Nipsey Hussle Tribute Mixtape 2 days ago Nipsey Hussle.Exactly. It was almost like sarcastic…it made me think, Do you guys even like hip-hop?Download mixtapes for free - The latest artists including Drake, Future. But I started to see a change in the stance it was taking. Complex was a big supporter from day one of my sh*t. Last year, Nipsey sold his Crenshaw mixtape for 100 per physical. The business model for his mixtapes allows fans to either download his album online for free, or buy a physical copy of the album for a high price.Leading up to that article, I went to Complex, I played my albums for Complex. We assume that these are people up on the state of things in the world, outside of just hip-hop. We assume that editors of a credible magazine are intelligent people. We’re in a transitional period. As a hip-hop artist in 2013, with the technology, the landscape of the industry and the culture, things are changing.What I got was that somebody in that building had a disgust for hip-hop. If they do some wack shit, there’s gonna be an honest write-up about their shit. It was almost like sarcastic…it made me think, Do you guys even like hip-hop? Is Complex a magazine that has love for the culture? I started to see real sarcastic and degrading articles.I understand being critical, that’s what keeps artists on top of their game. But I started to see a change in the stance it was taking. This shit came from the streets. I see a lot of that in our culture right now. That’s what I took offense to. If Complex is going to take the stance to degrade the culture and point out every flaw that hip-hop artists have and every mistake they make, then I’ma take the stance to say: As hip-hop, we’re gonna boycott Complex. They’re trying to do us like they did Africa, and they’re trying to extract all of our natural resources for their own exploited reasons. And I felt like we’re at a point where our culture’s getting exploited and it’s looking like they’re trying to do us like they did rock ‘n’ roll. This shit came from the struggle.I took offense to, not only Complex’s stance, but the major labels’ stance on how they treat artists, how they treat the culture. They don’t go through the struggle. Those editors don’t live this life. We weren’t trying to bring anybody down.Number one, who is an editor to have an opinion on a street nigga? Bottom line. It was a critical opinion. We don’t need y’all opinion no more.” And that’s why I said what I said.To clarify, that list was based on artists we really fuck with who may not have had the output we wished they had. We could develop our own outlet and we can cover our own stories. That’s the bourgeoisie approach that I get offended by because this ain’t no bubble. So when I hear about an editor asking: What’s up with my output? I’m like: What’s up with you even commenting on my life? Niggas don’t know my life. I went to war for real in between albums. It ain’t the same as one of them backpack niggas, or one of them college-rapping types. They don’t understand what putting an album out is to me. That’s when I start to be like, “Okay, you ain’t got a record on radio. These radio hits, these charts, they don’t validate the truth and the message. That’s the part they should respect. That’s why people connect to the pain in it. He don’t wanna be exploited by the music industry that been traditionally exploitive to our creators. He wants to do what they refuse to let you do and that’s control his own destiny. You understand? So in between my projects does it take a year or two, or another artist that live a real life? Does it take them a year to put a project out? Because he wants to retain ownership. It don’t got shit to do with any of these platforms that the business created. It don’t got shit to do with Billboard, it don’t got shit to do with SoundScan. The metrics and the gauge of success, and of impact on the culture. I just stepped back and said, “That’s y’all right to do that.” But I’m starting to see Complex. That’s why I didn’t speak on y’all when the list first popped up. But then I realize I can’t and I step back. Complex better respect that, period.It sounds like you actually did take it a little personally.Yeah. The fact that niggas ain’t running up on shit, robbing shit, stealing shit—niggas are being creative, having a positive output. The fact that they’re not doing 25-to-life in jail, y’all niggas better salute that. They cover it from a bourgeoisie perspective. I’ve come to a conclusion: Complex don’t love this shit. I stepped back and watched for months. Who are you to say that? I’m offended by the throw-a-stone-and-hide-your-hand operation of this industry. You can’t just walk on Crenshaw and Slauson and say, “I don’t like Nipsey’s project,” ’cause niggas gonna beat you up. You gotta validate your opinion in the real world. We don’t even know your background. We’re not judged by somebody putting stories up writing an article. They work for me.To be fair, as your fan—and I told you my background—I can tell that you’re really from the streets. I got employees that have felonies and they can’t get jobs. I’m touring the world, not doing nothing against the law, getting money to feed my family. Quote me on that.I’m an unsigned artist getting $25,000 a show. Fuck your interview, nigga. And the nigga turn around and shift culture and you ask for an interview. And I’m not in it for these same reasons. That’s what niggas start doing, but I’m not a follower. That’s not indigenous to rap. We didn’t really hear from you until you started dropping the Victory Lap shit, which has been fire by the way.Who’s making these rules up that you got to drop a project every six months? Who made these rules up? I don’t know where that came from. We put you on the “Underachievers” list because you dropped that in 2011 and disappeared. That’s the reason that I priced my project for the price I priced it at. What I’m trying to do in this rap shit is different. My goal in this shit is different, bro. I’ve been famous in the streets already. They work for me.Who are y’all talking to? Who’s the audience you’re speaking to? Because you can’t be speaking to the streets. I got employees that have felonies and they can’t get jobs. I’m touring the world, not doing nothing against the law, getting money to feed my family. I’m an unsigned artist getting $25,000 a show. Black cake clothingYou’re supposed to be in jail. Keep going because you’re supposed to be dead. They’re like, “My nigga, keep going. Nah, that’s not how the streets think. They don’t think, like, he ain’t have a project for a couple months. I was selling my music out my trunk on Crenshaw and Slauson, and Complex asked me can they get an interview. I didn’t ask Complex to cover me. When I came into the game Complex jumped on my dick. I mean I didn’t know y’all covered me. That’s really the fabric of my creativity.Do you really think we wait until artists are hyped to cover them and over-criticize them at times?Fact. My presence is law of attraction. So I let them have some cachet value. But I granted them access. I didn’t invite them into my world. They could put their ear to the street and they can get it from the people. If the magazine ain’t up on it, it ain’t for them. If niggas ain’t aware of it, it’s not for them. Whatever you need to know is out there already. Tell us the process you went through in putting that together.I’m not really into talking about it. You have a lot of dope beats on there. I ain’t really tripping off Complex’s opinion.
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